Monday, February 20, 2017

Hidden Figures and the Importance of Representation


By now, most people have at least heard about Hidden Figures. This movie tells the true story of three black women employed at NASA during the early years of US's race to space against Russia. Katherine Johnson (Taraji P. Henson), Mary Jackson (Janelle Monae), and Dorothy Vaughan (Octavia Spencer) served as mathematicians in the program, with the movie covering their time during the Friendship Seven launch and John Glenn's orbit around the Earth.

From the moment this film started, I teared up. Something inside me reacted right away to the shear fact that I was watching a black woman on screen in a role outside of what media usually provides. Watching a young Katherine display her intelligence, with great support from her family and community to nourish those talents, struck me clear to the heart. I knew everything I was about to witness was important, and this immediate shame set in for this story, this true story, being unfolded before my eyes for the very first time.


The struggle of minorities is not news to anyone. For far too long, we've been up against obstacles placed in front of us by those who don't want us to progress. Even today, the very society we live in is structured in a way to keep us from achieving more than what our oppressors originally intended. Sitting in the theatre watching this beautiful film, I could not help but to think of how wonderful this world would be today if stories like this weren't excluded from history. I tried to imagine myself at 15 years old, vulnerable and in need of role models I could easily relate to. Walking into class every day to learn about another white man and his accomplishments and forced to commit his name to memory. How I wished for the script to change, and this could have provided just that. Stepping into a classroom and learning, for a change, about three brilliant black women who contributed such profound work to the field of science would have been a great eye-opener for me. And not just me, but the rest of the world as well. There are so many untold stories of powerful and intelligent individuals of all colors who have contributed to much of what we take for granted today. However, their glory is attributed to the same default white persona each time. No credit is given and their names are erased from the topic. Our education system overlooks these important figures and only teaches us from a Euro-centric perspective.

So many minorities are viewed in a negative light, treated as if they do nothing to benefit society. As if we're all supposed to be happy and grateful at the simple fact that we are no longer slaves. And yet, slavery is the only label they allow us to wear in the teachings of history. We have been here every step of the way, in all aspects of this country's existence. We are just as capable, and in some cases more so, than our white counterparts and yet they still try to keep us down. They utilize our talents and reap the benefits of our achievements, then claim responsibility and write us off as secondary citizens. At what point will it stop? At what point will equal rights and acknowledgement be seen as just that? It continues to baffle my mind how equality and progress is viewed as oppression in the eyes of the oppressor. They fear being overthrown and treated as we have been treated, yet our real goal is to dismantle the unjust system currently set in place and build a new one that benefits all.



Hidden Figures is one of the most important films of all time, especially in today's political climate. It has never been more important for us to be represented in accurate and positive portrayals. The world needs to know who we are, what we are capable of, and how far we've come. The strength needed to survive and persevere throughout the years is not one that can be measured. I hope more and more see this film and walk away with the knowledge of how important diversity is to a successful society, and how large a role people of color have played in ours.

This is just one story of many. Here's to all that are to come.

Tuesday, December 22, 2015


Some friends and I decided to sit around and record a random conversation. For lack of memory refreshment and no planning, I think things went well.

Have a listen!

Tuesday, December 8, 2015

Sailor Moon vs Wonder Woman

I didn't know I needed to see this video until I saw it:



I mean, if you've ever wanted to see Sailor Moon do a death drop (and I know I have), this is pretty much heaven.

Thanks Youtube!

Thursday, October 29, 2015

Supergirl Hits the Small Screen


This week marked the arrival of Supergirl on CBS. After sitting through this much anticipated premiere, I've got to say...it wasn't that bad. Aside from the usual pilot episode illness, Supergirl proved to have the potential to match those of her other DC Comic counterparts.


Wednesday, October 7, 2015

Inktober Begins!...A little late.


I'm getting into this whole Inktober thing and thought I'd go ahead and draw one of my favorite scouts.

Grumpy Sailor Jupiter is not taking any nonsense from anyone today.

Sunday, September 27, 2015

Hit the Wall - A Night to Remember



History is important. There's no denying that. Even more so is history told right. In the wrong hands, many lessons of the past can be lost, forgotten, or downright ignored. With all the controversy surrounding the upcoming Stonewall film, I'd like to take a moment to spotlight a most appropriate counter to the Hollywood film's take.

Hit the Wall


BWW Review: Powerfully Passionate HIT THE WALL Pulls No PunchesResidents of Los Angeles are currently being treated to a brilliant production of a much-needed subject. Hit the Wall is a play that explores the moments leading up to that infamous Stonewall riot of 1969. It explores the lives of 8 distinct LGBT characters. Tano and Mika (played by Roland Ruiz and Blake Young-Fountain) sit atop their self-proclaimed throne of a stoop, dropping insults and throwing shade to any passerby. Their comedic wit and synchronized jeers make for a light-hearted introduction to the show's narrative. The externally confident Roberta (Shoniqua Shandai) frequently shuts them down while proudly promoting her all-female, internationally diverse group (of 1); W.I.L.D.

Across the way lies the A Gay (Burt Grinstead), the oh-so-macho, straight-acting stud who occasionally propositions "lesser" gays, only to toss them to the curb once he's had his fill. Newbie (Jason Caceres), just recently arrived to town, is his latest victim.

Our stoop-top divas continue their mindless banter until coming across Carson (Matthew Hancock). This drag queen is in no mood for their self-hating bashes, and is quick to deliver a most accurate lesson in r-e-s-p-e-c-t to an unsuspecting Tano. The display of internalized homophobia here kicks off one of the many still-relevant issues of the show.


BWW Review: Powerfully Passionate HIT THE WALL Pulls No Punches
Eventually, we find all of our characters arriving at the Stonewall Inn. Carson, having met sweet-talking draft dodger Cliff (Adam Silver), agrees to take her new suitor for a night of cocktails and dancing. Tano and Mika plan on having themselves a grand ol' time, while working on becoming certified A Gays. Downtrodden Peg (Charlotte Gulezian) is in wicked need of a drink, and finds a connection with the outspoken Roberta, whom she met earlier in a humorously flirtatious encounter. Drinks flow and music fills the air as our characters enjoy a silent tryst on what feels like hallowed ground.


BWW Review: Powerfully Passionate HIT THE WALL Pulls No Punches All is well until the boisterous Cop (Donnie Smith) announces a raid on the club, something read from the character reactions as an all too common event. Carson and Peg find themselves detained in the bar's restroom. Their choices in clothing have garnered them extra attention from the spiteful officer and soon find themselves victim to an onslaught of homophobia in what can only be described as a breathtakingly powerful, yet disturbing scene. The vulnerability of the characters invoke a great sense of fear and heartache. After an agonizing few minutes, tensions hit the ceiling and the two can no longer stand the abuse and degradation. They rise up against their oppressors and invite their onlooking brothers and sisters to do the same. What follows is a series of events which unite our characters in a way unlike any other. No longer can they stand idly by as they are mocked and humiliated. No longer can they hide in the shadows like vermin, stricken from society as ill-fated outcasts. No longer can they just watch. It is time to act. It is time to fight back.

Overview

The cast is absolutely electric. Every emotion they express elicits a response within that pulls you right into their shoes. Their flawless delivery leaves not a single doubt about who they are and what drives them to be there on that stage. Shoniqua Shandai delivers from beginning to end. Her presence onstage is one of power and tenacity. This young woman carries an energy within her that you cannot help but be inspired by. Roland Ruiz perfectly captures the hidden fears and self-loathing still present in many of today's gay men. His wise-cracking routine takes a back seat to an important revelation of self-respect and false idolization. Matthew Hancock, in all his brilliance, brings a sense of class and dignity into this world that would see him otherwise. Amidst the insults, abuse and suffering, he holds his head high and eloquently releases words from his mouth in silk-like procession.

It's not often you find such a well-rounded and equally powerful cast, but everyone involved in Hit the Wall shows such passion and devotion to their craft, as well as this project. It's an amazing story to tell, and should have no one less than amazing to tell it. From the instant the doors opened and the cast welcomes you in with a dance, you know you are being treated to something truly special. The inventive use of the Davidson/Valentini Theatre provides an immersive experience in which the audience becomes a part of the set. The actors utilize the space meticulously, which allows for actions to take place in all directions. I sat next to the stoop Tano and Mika claimed as their own, looking across as they ogled the A Gay across the room, standing in a corner stairwell between the audience. It was a truly engaging experience that quickly made me feel as if I were part of the cast. As if I were involved in every scene and action. Ken Sawyer's direction of this production was bold and creative. He took this show to a level not many can reach, let alone dare to try. It was beautiful, intimate, and profoundly entertaining.




Hit the Wall runs every Friday-Saturday from September 18 - October 25 at the Los Angeles LGBT Center's Village at Ed Gould Plaza. 1125 N McCadden Pl. Los Angeles, CA 90028.

Tickets are available at http://www.lalgbtcenter.org/theatre.

EDIT:  Hit the Wall has been extended through December 13 due to high demand and ticket sales. Don't miss your chance to see this amazing production!

Wednesday, August 12, 2015

HBO's Looking: Now That It's Gone



It's been quite some time since Looking wrapped up its second season, and it's no news that the series has been canceled. The show was far from the greatest, but I can't help but feel a slight emptiness now that it is gone. There was just something so great about it. The fact that a show such as this existed was enough to keep me watching week after week, regardless of how I felt about certain plot points.